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Monday, April 08, 2019

The Upside, Cranston/Hart/Kidman - 2017



The Upside 2017    Released 2018

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This one looks both up and down.  Up a long way from the bottom where the reality of the street and life with each other seems impossible, and down a long way from what was a gloriously fulfilling life it would seem of money, privilege, invention, creativity, and a shallow bunch of followers, including those who could take advantage of that situation.

The crossed and ironic relationship between Dell, our man of the street, and Phillip, our man of the penthouse, is much like the Lion and the Mouse, comparable also to the Princess Switch, getting another side's view, or even at a distance, Rich Man Poor Man (ok, reversed because they knew each other and grew apart).  But the "upside" to this film and it's strength I believe is in finding the redemptive character that can lay in any person's kit bag, pulling it out, and giving it a chance to be nurtured.  It's not so much about the hustle, as it is laying the hustle aside when given an opportunity.  Ethical behavior and the thoughtful reflection of the effect of one's relationship on those we influence (Father to Son and Wife in the case of Dell) are key points on the very straight look at what could have/should have been (according to stats) the end of a family structure.  But the story doesn't pick a side and bring blame on the wealthy, or even the situation, rather it sticks closely to the view that, even on the bottom, you still have control of who you are. The story keys in on the actions and interactions and decisions of the characters, not looking for scapegoats here.  Hart's character gets confronted on many levels with regards to his sometimes unwise choices, and also brings up the vulnerability that he has for needing to prove, quite naturally so, that he is a provider.  It is a clear story about how that unravels in the hood, and how influence works in many directions to pull people down, and into a vortex of negative expectations. 

There is plenty of material for Kevin Hart the comedian to work with inside the script, and it comes out bold, yet contained from his live stage personality, which means.... Kevin has true acting ability and the range to draw the tear and the sigh as well as the guffaw.  His confrontations with every character are also balanced; teeter-totter like between him serving up a good dose of reality to the upper Crusties, as well as taking sometimes deserved hits to his own behavior.  Prejudices, we know are not completely undeserved, are also confronted as a barrier to the healthy function of repair to our social world, the most prominent case in point being made about the insipid neighbor that complains about Dell's presence in the building, and brings up Dell's prison record to demonstrate his distrust to Phillip.  Phillip turns the tables on the neighbor, with a comment on art that I'll not elaborate on because it's a spoiler.  So there is basically redemption all around in this film, putting it firmly in the class of "feel-good".

As for the Up-Side of Phillip's tale (Cranston), he definitely needed to care again, to be alive again, and that's the ironic hope that the man from the Bottom Side brings with him, reason to live, pointing out the vagaries of Phillip's position to the world, bringing a therapy that he was surely not aware of on hiring him.  Dell allowed Philip to...no actually encouraged him to get angry, to be real, to experience again (albeit at one point some of the experience had to do with some street poon that he had to bribe the doorman to ignore).  He did inevitably set him free on the inside, forced him out into the world, and became...the best candidate for the job.

The peripheral role played by Kidman as Yvonne was flawless, as usual for her.  She shines as a great actress once again and plays a pivotal "replacement" role in this story for the space where a spouse should have been, creating as well the inevitabilities of sexual tension as well as situation laughs that happen in a trio like this.  That character being drawn in the story also plays a huge role in her absence.  The vacuum of her leaving draws attention to the downward spiral of Phillip's near "2nd crash".  

Great stuff.  

- Agitatus

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